Bullet Hole
Burning Flowers
Ideal Boys
Ideal Boys "John Luca & Paco"
Ideal Boys "Roberto"
Intra-Eperdermal Carcinoma
Kristallnacht
Kristallnacht
Kristallnacht
Kristallnacht
Kristallnacht
Kristallnacht
Kristallnacht
Kristallnacht
Kristallnacht
Leopard Skin Lily
Little Miss Chief by the Pool
Little Miss Chief Reclined
Little Miss Chief Surprised
Narcissus
Sugar and Spice, all things nice. This is what little girls are made of
Sugar and Spice, all things nice. This is what little girls are made of
Sugar and Spice, all things nice. This is what little girls are made of
Sugar and Spice, all things nice. This is what little girls are made of
Untitled (Wound)
Who killed Cock Robin ?
Zoster of Supravicular Dermatomes

Bullet Hole
1988

Burning Flowers
2004
61 x 56 centimeters

Ideal Boys
1997
photograph black and white

Ideal Boys "John Luca & Paco"
1997
colour photograph

Ideal Boys "Roberto"
1997
colour photograph

Intra-Eperdermal Carcinoma
1996
lightbox with photographic transparency
50 x 50 centimeters

Kristallnacht
2002
photograph, glass, acrylic, light
61 x 81 centimeters
Unique

Facing the series Kristallnacht, the viewer's attention is immediately attracted by the sparkle and delightfulness of the black and white pictures. Their impact captivates our senses with their kaleidoscopic effect achieved by a diffuse light originating behind the image and going through a polarized coloured lense. However, after closer consideration, the spectator realises that he is looking at the abjection of the literal Crystal night, usually translated as the "Night of Broken Glass" referring to the anti-Jewish attacks of November 9, 1938.

Kristallnacht
2002
61 x 81 centimeters

Facing the series Kristallnacht, the viewer's attention is immediately attracted by the sparkle and delightfulness of the black and white pictures. Their impact captivates our senses with Facing the series Kristallnacht, the viewer's attention is immediately attracted by the sparkle of the black and white pictures. Their impact captivates our senses with their kaleidoscopic effect achieved by a diffuse light originating behind the image, passed through a polarized coloured lens. However, after closer consideration, the spectator realises that he is looking at the abjection of Kristallnacht, translated as the "Night of Broken Glass" referring to the anti-Semitic attacks of November 9, 1938.

Kristallnacht
2002
46 x 61.5 centimeters

Facing the series Kristallnacht, the viewer's attention is immediately attracted by the sparkle and delightfulness of the black and white pictures. Their impact captivates our senses with their kaleidoscopic effect achieved by a diffuse light originating behind the image and going through a polarized coloured lense. However, after closer consideration, the spectator realises that he is looking at the abjection of the literal Crystal night, usually translated as the "Night of Broken Glass" referring to the anti-Jewish attacks of November 9, 1938.

Kristallnacht
2002
30.5 x 40.5 centimeters
Unique

Facing the series Kristallnacht, the viewer's attention is immediately attracted by the sparkle of the black and white pictures. Their impact captivates our senses with their kaleidoscopic effect achieved by a diffuse light originating behind the image, passed through a polarized coloured lens. However, after closer consideration, the spectator realises that he is looking at the abjection of Kristallnacht, translated as the "Night of Broken Glass" referring to the anti-Semitic attacks of November 9, 1938.

Kristallnacht
2002
46 x 61.5 centimeters
Unique

Facing the series Kristallnacht, the viewer's attention is immediately attracted by the sparkle of the black and white pictures. Their impact captivates our senses with their kaleidoscopic effect achieved by a diffuse light originating behind the image, passed through a polarized coloured lens. However, after closer consideration, the spectator realises that he is looking at the abjection of Kristallnacht, translated as the "Night of Broken Glass" referring to the anti-Semitic attacks of November 9, 1938.

Kristallnacht
2002
46 x 61.5 centimeters

Facing the series Kristallnacht, the viewer's attention is immediately attracted by the sparkle and delightfulness of the black and white pictures. Their impact captivates our senses with their kaleidoscopic effect achieved by a diffuse light originating behind the image and going through a polarized coloured lense. However, after closer consideration, the spectator realises that he is looking at the abjection of the literal Crystal night, usually translated as the "Night of Broken Glass" referring to the anti-Jewish attacks of November 9, 1938.

Kristallnacht
2002
acrylic on canvas and electrical installation
37.5 x 43 centimeters
Unique

Facing the series Kristallnacht, the viewer's attention is immediately attracted by the sparkle of the black and white pictures. Their impact captivates our senses with their kaleidoscopic effect achieved by a diffuse light originating behind the image, passed through a polarized coloured lens.

Kristallnacht
2002
37.5 x 43 centimeters

Facing the series Kristallnacht, the viewer's attention is immediately attracted by the sparkle and delightfulness of the black and white pictures. Their impact captivates our senses with their kaleidoscopic effect achieved by a diffuse light originating behind the image and going through a polarized coloured lense.

Kristallnacht
2002
37.5 x 43 centimeters

Facing the series Kristallnacht, the viewer's attention is immediately attracted by the sparkle of the black and white pictures. Their impact captivates our senses with their kaleidoscopic effect achieved by a diffuse light originating behind the image, passed through a polarized coloured lens.

Leopard Skin Lily
1995
colour photograph

Little Miss Chief by the Pool
2003
color photograph, guilt frame
42.1 x 37.2 centimeters

Little Miss Chief Reclined
2003
33 x 38 centimeters

Little Miss Chief Surprised
2003
color photograph, guilt frame
32 x 37 centimeters

Narcissus
1990
photograph black and white

Sugar and Spice, all things nice. This is what little girls are made of
2000
35.7 x 31 centimeters

Sugar and Spice, all things nice. This is what little girls are made of
2002
35.7 x 31 centimeters

Sugar and Spice, all things nice. This is what little girls are made of
2002
gilt frame, glass, paper, acetate, ink, wood, light panel
35.7 x 31 centimeters

Sugar and Spice, all things nice. This is what little girls are made of
2002
gilt frame, glass, paper, acetate, ink, wood, light panel
35.7 x 31 centimeters

Untitled (Wound)

colour photograph
63 x 52.5 centimeters

Who killed Cock Robin ?
1997
iris print, glass, wood

Zoster of Supravicular Dermatomes
1996
colour photograph