Né en 1970 à Ankara / Born 1970 in
Ankara
Vit et tra
Education :
2003 Delphina Studio Trust
Award, London
1997 MFA,
The School of the Art Institute, Chicago
1996 MA Erasmus, Royal College of Art, London
1996 The
American
1995 MFA, The School of the Art Institute of
1993 BFA, Bilkent University,
Expositions
personnelles (sélection) / Selected Solo Exhibitions :
2010 Galerie Bob von Orsow,
Zürich
Coming Home, Alison Jacques London
2009 Reincarnation,
Galerist, Istanbul
2007 Definition, Galerist,
Istanbul
They Call It Lo
Haluk Akakçe, Bernier Eliades Gallery,
Mo
They Call It Lo
2006 Sky is the Limit, Vi
I Wish I Was..., Galerie Max Hetzler,
2005 Video Installations: Haluk
Akakçe, Sheldon Memorial Art Museum, Lincoln, Nebraska
Panorámica, Museo Tamayo
Arte Contemporaneo,
Tomorrow is Another
Day, Galerie Max Hetzler,
2004 Birth of Art, Art Now / Light Box,
Tate
Missing Piece, The Approach, London
Come To Me And
The World Will Be Ours Tonight, Galleria Massimo De Carlo, Milano
Blind Date, Nogueras Blanchard, Barcelona
Abstract Emotions / Transmental World, Galerist,
2003 Filme,
Galerie Max Hetzler,
Perfect Coinc
Art Unlimited, Art 34, Basel
Animate Me N°3, Museum für Gegenwartskunst, Basel
Haluk Akakçe –
2002 lllusion
of the First Time, Whitney Museum of American Art at Philip Morris,
Un Equilibrio
Delicato, Centro Nazionale per le Arti Contemporanee, Rome
Still Life, Bernier/Eliades Gallery, Athens
The Measure of
All Things, Talbot Rice Gallery,
New Work,
2001 Blood
Pressure, Centre d'Art Contemporain, Geneva
The Measure of All Things,
Blood Pressure, Deitch
Projects,
Animation, PS1,
2000 Special
Projects Program, PS1
Coming Soon, Henry
Expositions de groupe (sélection) / Selected Group Exhibitions :
2009 Istanbul
Traversée, Lille 3000, Lille
Supernova, Glynn Vivian Art Gallery, Swansea
In Praise of Shadows, Istanbul Museum of Modern Art,
Istanbul
2008 Take
Me There (Show Me the Way), Haunch of Venison, New York
Sammlung als Aleph – Thyssen-Bornemisza Art Contemporary, Kunsthaus Graz, Graz
Always There, Galerie Max
In
Praise of Shadows, IMMA, Dublin
2007 The
Incomplete, Chelsea Art Museum, New York
Time Past – Time Present,
Generational
Issue, Centro Galego de Arte contemporánea, Santiago de Compostela
Cosmic Dreams, Centre Culturel Andratx, Andratx
Dialogues méditerranéens,
La Citadelle, Saint-Tropez, organisée par / curated
by Suzanne
Hatirlamalar – Hatirlatmalar,
Recalls – Reminders, Galerist, Istanbul
Abstraction : Extracting
from Reality, Sheffield Galleries,
2006 Carbonic Anhydride, Galerie Max Hetzler,
EurHope
1153, Contemporary Art from the Bosphorus, Villa Manin, Centro d'Art
Contemporanea, Codroipo, organisée
par / curated by Francesco Bonami,
Sarah Cosulich Cannarutto
Nature Attitudes Between Fascination, Domestication and Reconstruction,
TB A 21 Thyssen-Bornemisza Art Contemporary, Wien
Abstract Art Now - Strictly Geometrical?, Wilhelm-Hack-Museum,
Opening Up
Art, Tate Modern
Collection With UBS, Tate Modern, London
British
art Show 06, The Whitworth Gallery, Manchester; Nottingham Castle,
Nottingham; Spike Island @ A Bond, Bristol, organisée
par / curated by Hayward Gallery, cat.
2005 British
art Show 06, Baltic Gateshead – The Center for Contemporarry Art,
This
Centre of Gra
Dis-Appearance, Kunsthalle
Fribourg, Fribourg, organisée par / curated by Sarah Zuercher, cat.
Superno
Works on Paper, Galerie Max Hetzler,
Art Digital Vidéo, MNAC –
National Museum of Contemporary Art, Bucharest
... Art For 2,
Paris
– Londres, Le
Split, TheApproach, London
Sener Őzmen, Erkan Őzgen, Nasan Tur, Haluk Akakçe, Istanbul Modern Art Museum,
Istanbul
2004 Expander,
Royal Academy, organisée par / curated
by Mustafa Hulusi, London, cat.
Beck's Future, ICA, Institute of Contemporary Art, London; Center for Contemporary Art, Glasgow, cat.
Memory And Landscape / Paisaje y Memoria, CAAM – Centro Atlantico
de Arte Moderno, Gran Canaria:
La Casa Encend
Open House:
Working in
Straylight - Territories, Darklight Film Fersti
Mutaciones Cinematicas,
CAAM – Centro Atlantico de Arte Moderno,
Las Palmas, Grand Canaria
5th
International Film Festival of Jeonju,
2003 Art Now, Tate Britain, London
Another Zero, GAMEC, Galleria d'arte
moderna e contemporanea,
Drawings, Galleria Massimo De Carlo, Milano
Art Unlimited, Art Basel 34,
Platform 4L,
The Moderns, Castello di Rivoli, Museo d'Arte
Contemporanea,
Renderings, Delfina Studio Trust, London
Animations,
Thin Skin: the
Fickle Nature of Bubbles, Spheres and Inflatable Structures,
Son et Art Contemporain,
Pénitencier de Valère, Dolmen Production, Sion
Nano, Galerie Fraîch'Attitude, Paris, cat.
Out of Site,
Organized Conflict,
2002 Media City Seoul, Seoul Museum of
Art,
Urban Creation,
25th Anniversary
Selections Show, The
Out of Site, The New
Museum of Contemporary Art, New York, cat.
Metropolitan
Iconographies, XXV Sao Paulo Biennial,
Sao Paulo
Thin Skin: The Fickle Nature of Bubbles,
Spheres and Inflatable Structures,
Comic Release: Negotiating
Identity for a New Generation,
Fair,
2001 Animations, PS1
Casino 2001, Stedelijk Museum voor
Actuele Kunst, Gent, cat.
Painting
at the Edge of the World,
Neue Welt, Museum
für Moderne Kunst, Frankfurt / Frankfurter Kunstverein, Frankfurt, cat.
Future Bodies, The
Die Sammlung Olbricht Teil 2, Without Hesitation, Gesellschartf für Aktuelle
Kunst and the Neues Museum Weserburg, Bremen
Teil von...?, Kunsthalle Exnergasse,
Wien
2000 Strange Paradises, Casino/Forum d'Art
DNAid
Billboards, Creative
Time,
Dusk, I-20 Gallery,
1999 The
Passion & The Wave, 6th
International
1998 Selections, The
La
Jalousie, MFA exhibition Gallery 2,
Bibliographie sélecti
2009 "Reincarnation",
Gallerist Ed., Istanbul
LAUER
Caleb, "Time Traveller", in Canvas, novembre – décembre 2009
2007 "Haluk Akakçe – Sky is the
Limit", Creati
20006 "Carbonic
Anhydride", Max Hetzler Ed.,
"EurHope
1153, Contemporary Art from the Bosphorus",
Villa Manin, Centro d'Art
Contemporanea, Codroipo, Francesco Bonami, Sarah Cosulich Cannarutto Ed., 2006
"Haluk
Akakçe – I Wish I Was", Max Hetzler Ed.,
"Abstract Art Now - Strictly Geometrical?",
Wilhelm-Hack-Museum Ed.,
2005 "British
Art Show VI", Hayward Gallery Ed., London, 2005
"Works on Paper", Max Hetzler
Ed.,
REEDA Jana, “The Shifting Nature of Reality”, in Tema Celeste, jan
2004 "Another
Zero", GAMEC, Galleria d'arte moderna e contemporanea di
Bergamo Ed.,
LACK Jessica, “Pre
HERBERT
Martin, “Review: Haluk Akakçe,
in Time Out,
FARQUASON
Alex, “Out of Time, Haluk Akakçe”,
in Frieze, mars 2004
WILLIAMS
Eliza, “Haluk Akakçe at the
Approach”, in Art Monthly, juin – juillet
2004
“Dream Works: Haluk Akakçe”, in Tattler, mai
2004
“Profile:
Haluk Akakçe”, in Sleaze
Magazine, avril 2004
2003 “Cream
3”, Ed. Pha
FALCONER Morgan, “Free Form”, in What's in London, 29 octobre 2003
“Amazing Sight”, in Boiler, juin – septembre 2003
“Reviews: Haluk Akakçe
at
P.F, “Animations”, in Style, mai 2003
DREYFUS Laurence, “Haluk Akakçe
: Les Frontières du visible”, catalogue Nano, Galerie Fraîch'Attitude,
Paris, 2003
GISBOURNE Mark, “Animations”, in Contemporary, n°50, 2003
BOESEN Lotte, “Birth
of Art and The Fiction of an Isolated Object”, at www.synesthesie.com, janvier 2003
LAGANDRÉ
Cédric, “Équilibres délicats : Haluk Akakçe à la
McBREEN
Ellen, “Haluk Akakçe”, in Tema
Celeste, n°97, mai - juin 2003
DOUGLAS Sarah, “Haluk Akakçe:
2002 LASTER Paul, “Haluk Akakçe, Illusion of the First Time”, in Time Out New
York, 26 décembre, 2002 – 2 jan
DIAMOND Sarah, "Spotlight: Media City Seoul", in Flash Art
International, décembre 2002
FOGLE Douglas, "Curating Painting, Panel
Discussion", in Flash Art International, décembre
2002
HIGGING Ned, "Split Screen Dream : Haluk Akakçe", at Artnet.com,
décembre 2002
“Persona”
(photography project), in Tema Celeste, n°94, no
Vitamin P: New Perspectives in Painting, Phaidon, 2002
“Reviews: Haluk Akakce at the
FARR Sheila,
"Re
HUNT Da
WILLIAMS
Gregory, “Critics Picks: Out of Site”, in Artforum,
été 2002
GELLATLY Andrew,
“Sao Paolo Biennial”, in Frieze n°68, 2002
COTTER
WILLIAMS
Gregory, "New York Critics' Pick : Out of
Site", in Artforum.com, juillet 2002
NOBEL Philip, “Pre
WATERMAN Heather, “Techno-Surrea:
Haluk Akakce's Video
Installations”, in RES,
"Haluk Akakçce at the
2001 QUEMIN
Alain, “Mondialisation, Globalisation, Metissages”, in Art Press, special issue n°22, décembre 2001
“Art at the
Edge of the Law”, in NYArts, septembre
2001
“Haluk Akakce: Virtuelle
Zeitreisen”, in Schweizer Illustrierte,18 juin 2001
MATHONNET
Philippe, “Beaux-Arts Review”,
in Le Temps, 5 juin 2001
HENRY Max, “When Painting Meets Digital”, in
Tema Celeste, n°85, mai
- juin 2001
SUGATSUKE Masanobu, “Haluk
Akakce :
Superflat Syncronities” ,
in Composite, mai 2001
“Haluk Akakce”, in The New Yorker, 23 avril
2001
SONNA Brigit, “Haluk Akakce : Mentale Tabuzone
Zwischen den Ohren”, in Frame, mars - avril 2001
“Haluk Akakce : Jack of Spades”, in Vogue USA, mars 2001
“Postcard from
the Edge of the World”, in Talk, février
2001
FOGLE Douglas, “Haluk
Akakce”, in Artforum, vol.39, n°5, janvier 2001
BESINGER Ken, “Whose Art is it Anyway”, in The Wall Street
Journal, 19 janvier 2001
“Painting
at the Edge of the World”, in CVA, n°32, 2001
2000 TURNER
Grady T., “Dusk”, in Flash Art,
novembre - décembre 2000
HUNT Da
SIMPSON Bennett, “Haluk Akakçe: Mart
Nouveau”, in Artext, n°70, août – octobre 2000
CANIGLIA
Julie, “Haluk Akakce”,
in Art Forum, mai 2000
PHILIPS Christopher, “Istanbul Biennial”, in Art in America,
avril 2000
COTTER
HUNT Da
HIGGIE Jennifer, “Sixth International Istanbul Biennial”, in Frieze,
n°50, janvier 2000
KRYZA Darlene,
“Sixth International Istanbul Biennial”,
in New Art Examiner, février 2000
1999
HEARTNEY Elenor, “Sixth International Istanbul Biennial”, in Art Press, décembre 1999