In Christian Jankowski's work, art and reality are closely connected, if not entirely interconnected. Not only does he introduce groups of people or individuals within his work who are traditionally not part of an artistic process, he also engages certain stereotypes and various events of popular culture, notably televisual ones.
He shuttles unceasingly between reality, artificiality and fiction - emphasizing the discrepancy between form and content. JANKOWSKI questions our voyeurism in order to tackle social or sentimental issues or personal accounts, all of which appear in his work.
Through performative structures, he shutters our perception of the ordinary, deranges the social order and interferes with generally accepted rules.
The work of Christian Jankowski consistently demonstrates its relevance, constantly reinvented through dialogue, communication and exchange. His work combines the logic of Happenings as participative or empirical phenomena with the spirit of Fluxus and DaDaist experiments.